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Henry Lawson @ 2010-04-10 11:43

Henry Lawson (1867-1922) was a true Australian, whose writing has a direct appeal to the understanding and sympathy of the reader. When the Sun Went Down is a short story about a quarrel between two brothers who are miners. A disaster at the mine almost kills one of them, and does indirectly kill the other.



Jack Drew sat on the edge ot the shaft, with his foot in the loof and one hand on the rope, ready to descend. His elder brother, Tom, stood at one end at the windlass and the third man at the other. Jack paused before swinging off, looked up at his brother, and suddenly held out his hand:

'You're not going to let the sun go down, are you, Tom?'

But Tom kept both hands on the handle of the windlass and said nothing.

'Lower away!'

They lowered him to the bottom, and Tom shouldered his pick in silence and walked off to the tent. He found that tin plate and other things set ready for him on the rough table. The tea was made, the potatoes ready; he set down at the table but could not eat. His brother's quick temper had caused the quarrel that morning; but then Jack had admitted that and apologized. Tom despised himself. He moved around anxiously and tried to smoke. He could not get Jack's last appeal out of his ears: 'You're not going to let the sun go down, are you, Tom?'

Tom find himself glancing at the sun. It was less than two hours from sunset. He thought of the words of the old poet; the author didn't matter, but the words began to hunt him: 'Let not the sun go down upon your wrathful. Let not the sun go down upon your wrath.'

The line contains good advice; for quick-tempered men are often the most sensitive, and when they let the sun go down on their wrath, that is likely to worry them in the night.

Tom started to go to the mine, but checked himself, sat down, and tried to draw comfort from a pipe. He understand his brother thoroughly, but his brother never understood him – that was where the trouble was. Presently he began thinking how Jack would worry about the quarrel and have no enthusiasm for him working. Perhaps he was worrying now, down at the end of the damp dark passage.

Tom had almost made up his mind to go below again, on some excuse, when his friend shouted from the top of the shaft:

'Tom! Tom! For God's sake come here!'

Tom's heart gave a great thump, and he ran like the wind to the shaft. All the diggers within hearing were soon on the spot. They saw at a glance what had happened. It was madness to sink a shaft without wood at the sides in that sort of ground. The sides of the shaft were closing in!

Tom sprang forward and shouted through the crack: 'To the face, Jack! Run to the face! To the end of the passage! Run for your life!'

Tom turned to the diggers. 'To the old workings! Bring the tools. We'll dig him out.'

A few minutes later they were at the old shaft close by and were down in the old passage. Tom knew that they were quite close to the other part of the mine. He kelt in the damp clay before the face and worked like a madman. He refused to give his place to another, and only dropped one tool to use another. He reckoned that he had six, or perhaps eight, feet to drive, and he knew that the air would not last long in there, even if the roof had not already fallen and crushed his brother. Great drops of sweat stood out on Tom's forehead, and his breath came in deep sobs; but he still struck strong, savage blows into the clay before himself, and the drive lengthened quickly. Once he paused a moment to listen, and then distinctly heard a sound as of a tool or stone being struck. Jack was safe!

Tom dug on until the clay suddenly fell away and left a hole about the size of a plate in the face before him.

'Thank God!' said a hoarse voice at the other side.

'All right, Jack?'

'Yes, Tom. You're just in time. I've hardly got room to stand in and I can hardly breathe.' He was crouching against the clay.

Tom fell back against the man behind him. 'Oh, God!' he cried. 'My back!'

Suddenly he struggled to his knees, and then fell forward on his hand and dragged himself close to the hole in the clay.

'Jack!' he gasped. 'Jack!'

'Right, Tom, what's the matter?'

'I've hurt my heart, Jack. Put your hand out – quick! The sun's going down.'

Jack's hand came through the hole. Tom gripped it and then fell with his face in the damp clay.

They half carried, half dragged, him from the passage; for the roof was low and they were obliged to stoop. They took him to the shaft and sent him up, fastened to the rope.

Jack soon escaped from his prison and went to the surface. He knelt on the grass by the body of his brother; the diggers gathered round and took off their hats. And the sun went down.




 
Rupert Croft-Cooke @ 2010-04-10 11:30

Rupert Croft-Cooke was educated at Tonbridge School, and lives in Tangier. He has published about sixty books, including poems. Some of his short stories appeared for the first time in newspaper and other periodicals, and were later collected and published in book form. One or the other is in the collection entitled A Football for the Brigadier(1950). In this story Mrs. Shaw talks to a young man about her choice of a husband, and as her house is pleasant and comfortable, it is evident that she has chosen well.
 
 
'How pleasant it is to have money!' Mrs. Shaw might have been thinking as she sat behind the tray and titled her old and beautiful silver teapot. Everything about her and about her home suggested excellent taste helped by endless money at the bank. And although it would be unfair to call her vulgar she was not afraid to show a frank of pleasure in her great possessions.
'I am so glad you like the picture,' she said to the artistic young man who was carefully balanced in the chair before her. 'My husband bought it for me last week. I've always wanted a Brueghel.'
'Exquisite,' stated the young man. 'You're very lucky.'
Mrs. Shaw smiled, her delicate eyebrows rising prettily. Her hands were still, as if they had been modelled in pink wax to exhibit her beautiful rings. She had not that irritating restlessness which is so common. She did not touch her hair or smooth her dress, she did not play with a little dog or with the teacups. She knew the value of repose.
'Lucky?' she said. 'I don't believe in luck. It is all a matter of choice.'
If the young man thought this a curious word to apply to the possession of wealth, he did not say some. He nodded with just sufficient encouragement, and Mrs. Shaw continued.
'Well, it was in my case.'
'You just chose to be rich?' said the young man, not wholly concealing his envy.
'You may describe it like that. Fifteen years ago I was an awkward schoogirl ...'
She paused to give him time to disagree, but he was busy counting the years. He decided, but silently, that she must have stayed very late at school.
'You understand,' Mrs. Shaw continued,' always thinking of games and such things, and with that terrible quality called, I believe, a healthy natural charm. I cannot quite understand it now, but there were two young men in love with me.'
Her listener seemed determined not to say the right things when she gave him the opportunity. He showed no impatience, though he was wondering how he would turn the conversation to more profitable subjects. But he was too bad-tempered to say any of the things that were expected of him.
'One of them was a penniless young art-student,' said Mrs. Shaw. 'A romantic, lovable youth who could never save any money. He had no idea of business, and no hope of ever receiving any money from his relations, but he loved me and I suppose I loved him too. The other was the son of a successful business man with a keen sense of the value of things. He could expect a successful and prosperous life. In a strong and healthy sort of way he might have been called good-looking. And I'm afraid he loved me as much as the art-student.'
The young man in the arm-chair saved himself from yawning by speech.
'Quite a difficult choice,' he said.
'It was. On the one hand romantic love in a poor street, with dirty tea-things all over the place and rather unwashed visitors; but real love. On the other hand, a charming home, an easy life, nice friends, travel, clothes, all the things one wanted. If things are what one ever wants.'
Mrs. Shaw's voice had grown a little sad.
'I lived for a year in an agony of indecision. No other possibility made its appearance, and it was perfectly clear that I should have to choose one or the other. Yet whichever it was, there would inevitably be regrets. At last ...' Mrs. Shaw's glance wandered round her lovely room, which had provided a magazine called Tasteful Homes with a large number of photograghs. 'At last I decided.'
It was at this rather dramatic point that the conversation was interrupted by the entrance of a handsome, grey-haired man who was an excellent advertisement for his tailor, and who fitted his background like a figure set in a fine picture. He kissed Mrs. Shaw, who introduced the young man to her husband.
There followed fifteen minutes of good, natural conversation, during which Mrs. Shaw mentioned that he had met 'poor old Dick Rogers' today and had lent him some money.
'Nice of you, dear,' said Mrs. Shaw without interest.
Presently Mr. Shaw went out.
'Poor old Dick Rogers,' sighed Mrs. Shaw. 'I expect you have guessed. That was the other man. My husband has never been difficult about him.'
'Good,' said her listener briefly, and because he could not think of a more intelligent reply. His own time was coming.
'I don’t know how my husband has time to look after everyone. He’s so terribly busy. His portrait of the Admiral ...'
'Portrait?' gasped the young man, suddenly sitting up straight in his chair.
'Yes, portrait,' said Mrs. Shaw. 'Oh, didn't I make that clear? It was the artist I married, of course.
And now I think it's time for a drink. How do you feel?'
The young man nodded, but seemed quite unable to make his feelings known.


 
liuyu @ 2006-11-17 17:34

Hi, are you? I'm Annie.

Do you remember me?



 
liuyu @ 2006-10-01 20:10

My dear friend,

How are you doing now?

It's a long time since we departed, but do remember, wherever you go, take my best wishes with you. 

                                                                                                     Yours,          
                                                                                                      Annie  
       




 
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